ARISTIC PRACTICE
For me, dance is a way to access what lies beyond language—what cannot be fully conveyed through words, but must be sensed, moved through, and remembered in the body. My choreographic work explores the relationship between movement, memory, and imagination, often through the lens of loss, care, grief, and intergenerational transmission.
I work primarily with improvisation guided by scores—short written prompts that support embodied research and choreographic composition. These scores become containers for memory, imagination, and presence, allowing choreography to emerge in dialogue with sensation, emotion, and the invisible layers of experience.
Collaboration is central to my process. I often work with sound artists, scenographers, and visual artists to create cross-aesthetic performances, installations, and participatory formats. My works evolve over time and across contexts, often extending beyond the stage into research-based or relational structures. Whether performed in theatres, galleries, or informal spaces, my projects seek to open poetic environments where private and collective experiences can be sensed, reflected upon, or gently transformed—sometimes as rituals, sometimes as questions.
SHORT BIO
I was born in Florence (IT) and moved to Copenhagen (DK) in 1998 to study dance, where I am still based today. I hold an MFA in Choreography (2024) and a BA in Dance (2002) from the Danish National School of Performing Arts, as well as a BA in Theatre and Performance Studies (2018) from the University of Copenhagen. As a dancer, I have worked extensively across the contemporary dance and visual arts scenes in Denmark and Europe, collaborating with artists such as Sara Hamming, Alice Chauchat, Nønne Svalholm, and Éva Mag.